Bechtler-Stifung for Hotel Castell, Zuoz, Switzerland. Credit: John Gollings / Right: James Turrell - Piz Uter, 2005. Left: Interior of James Turrell, Within Without, 2010. Throughout the day, the dome will be sealed and the whole space will function as a multisensory environment, with light projected across the cylindrical interior walls, the domed ceiling and sound altered by the contours of the architecture.Īlongside the opening of C.A.V.U., MASS MoCA will present a small display of drawings, including hand sketches, used in the development of Skyspace, as well as architectural renderings of the project. The aperture will expose the space to the sky during dusk and dawn, while the subtle interior lighting complements the shift in natural light during sunset and sunrise. Turrell’s idea was enforced by contemporary lighting technology, programmable controls, and an electromechanical dome produced from lightweight materials that provide complete light and weather sealing. was initially used as a source of standby fire protection for the campus complex. Water tank exterior, future site of Skyspace. In many ways, this story exemplifies MASS MoCA’s commitment to supporting artists and their careers over time, and to working with them to realize their dreams, no matter how big or ambitious. This Skyspace was first conceived 33 years ago when Turrell toured the MASS MoCA campus and identified the remains of an abandoned concrete water tank as an ideal site for the development of a Skyspace. The founding Director of MASS MoCA, Joeseph Thompson, underlines the significance of this grand-scale work: will be his largest free-standing piece ever. The future MASS MoCA’s Skyspace, titled C.A.V.U. The first Skyspace was produced by the artist in 1974, and since then Turrell has created over 80 of these public and private works worldwide. Namely, James Turrell’s Skyspaces function as naked-eye sky observatories which enable the visitor to contemplate by observing the celestial phenomena. Credit: James Turrell, Structure and Rendering by Darryl Cowie James Turrell - Skyspace, Structure and Rendering. The Skyspace will coincide with a retrospective of the works Turrell has produced during the course of his career, titled Into the Light, as well as a focused overview of the artist’s ceramics under the title Lapsed Quaker Ware. The new edition of this site-specific installation was initially considered by the artist when he first visited the venue in 1987. James Turrell and the Massachusetts Museum of Contemporary Art (MASS MoCA) recently announced a new Skyspace that is about to be presented on the museum’s campus. The leading proponent of the Light and Space movement was James Turrell, a figure known for groundbreaking environments and site-specific works that act as peculiar portals for entering into the unknown, and therefore transcend the common notion of an artwork.Īside from the Roden Crater and the Light Inside, which are some of his best-known works, the artist has gained wider recognition for his Skyspace works, apertures in the ceiling open to the sky that are either autonomous structures or part of the existing architecture. The artworks categorized as the products of such articulation were most often experimental installations made on the thin line between art and science. The prime focus of the artists affiliated with it was the fascination with the perceptual phenomena, especially the light. The Light and Space movement appeared in the 1960s in Southern California as a synthesis of Op art, Minimalism, and Geometric Abstraction.
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